Books & Magazines

Clays and Glazes in Studio Ceramics combines an absorbing text with a wealth of reference material and an abundance of color photographs, providing a clear examination of a complex, often bewildering subject. Suitable for all levels of ability-from beginning potter to expert-it is a lucid, accessible source of information. Nearly 200 color photographs place the subject in vivid contemporary and historical context-a vital ingredient in the relationship of theory to practice. Clays and Glazes in Studio Ceramics is an ideal companion to help ceramists of all levels develop confidence and independence in their art. Net Wt. is 2.29 lbs.

Hundreds of photographs will inspire you to begin working in this multifaceted medium. Before you know it, you'll be creating stunning teapots, one-of-a-kind bowls, and anything else you can dream up. Net Wt. is 2.29 lbs.

Coiling is one of the most versatile of ceramic techniques. The plasticity of clay invites potters to roll it between their hands to produce a coil that can be joined to form the wall of a hollow vessel. Pots of enormous size and amazing variety can be made using this method. Sculptural pieces can also be crafted using coils, creating forms that range from human and animal to very abstract shapes. Net Wt. is .64 lbs.

Colour in Clay is a complete study of the particular magic that color oxides and stains in the clay body can bring to throwing, pinching, coiling, inlay, lamination, and sculpture. Ceramist Jane Waller profiles 50 artists from Europe and America, offering detailed and enlightening commentary on their working methods, firing techniques, and sources of inspiration. Colour in Clay, an inspiration in its own right, is an invaluable guide for those who wish to take advantage of the enormous range of color stains now available. A collaborative effort by some of the most influential ceramists working today, the book offers a rich pooling of recipes, tips, and ideas that will encourage all potters to explore and experiment with color. Net Wt. is 2.2 lbs.

From sugar whites and pastel pinks to toasted browns and deep sea blues, the wide spectrum of colored clay offers an array of possibilities for creative ceramicists. By using the clay itself as the sole means of decoration, potters can achieve effects that range from subtle gradation to dramatic shifts, all integrated into the structure of their creation. Working with colored clay demands a special, disciplined approach, but the rewards are many. Beginning with a brief introduction to historic forms such as encaustic tile, sprigging, and art pottery, Coloring Clay explains the principal techniques for working with colored clay. This detailed, practical handbook takes artists though the clay and stain selection process to forming and firing, outlining proven procedures that produce optimum results. Readers will learn to use coiling and handbuilding for marbled effects, make Wedgwood-style applied reliefs, incorporate swirls and subtle hues into wheel-thrown pieces with mixes and overlays, or apply inlays to slipcast works for modern geometric patterns. Jo Connell also covers loaf and cane forms such as agate, nerikomi, and millefiori, as well as textural effects.

With hundreds of recipes for some of the most popular and enduring high-fire glazes, this reference will prove a boon to ceramists who want to master this complex and versatile aspect of the art. Author John Britt, who served as Clay Coordinator at the respected Penland School of Crafts, has personally tested many of the recipes, and carefully reviews every one. He offers a thorough examination of glaze materials, chemistry, and tools, and presents the basics of mixing, application, and firing procedures. There's a wealth of information on various type of glazes, including copper, iron, shino, salt/soda, crystalline, and more. An exhaustive index of subjects and a separate index of glaze recipes will help ceramists find what they need, quickly and easily. Net Wt. is 1.65 lbs.

In The Complete Potter: Porcelain, Caroline Whyman offers a practical introduction to every aspect of handling and firing this unique clay to produce satisfying results. The author begins with a brief history of porcelain, from its beginnings in China to its place in the pottery industry today. She discusses in detail its properties and the ways in which it can be prepared, stored, and reclaimed. Each chapter covers particular aspects, from basic handling and throwing procedures to the various methods of handbuilding and modeling. Molds and decoration are discussed as well, complete with advice on the suitability and timing of different techniques. Other topics covered include kiln packing and firing, and the coloring, mixing, and application of glazes, slips, lusters, and enamels. Net Wt. is 1.21 lbs.

Provides a brief introduction to this pottery process, discusses ways in which the clay and fire interact, and the color effects that can be achieved, and examines various types of sawdust firing through the work of different potters, who describe their methods. Illustrated with color and b&w photos. Net Wt. is 1.17 lbs.

By John Conrad. Net Wt. is .77 lbs.

By John Conrad. Net Wt. is 1.24 lbs.